An epic retelling of an interesting chapter from Maratha history

Immediately after Farzand and Fatteshikast, Digpal Lanjekar’s to start with two flicks in the sequence of movies focused to the bravery of Chhatrapati Shivaji Maharaj and the Maratha military, the author-director returns with a bang in the 3rd film of the collection – Pawankhind.

The movie, which was delayed thanks to the pandemic, is based mostly on a single of the most well known incidents from Maratha heritage – the Struggle of Pavan Khind. At the outset, the makers make it distinct that this is not a total documentation of the fight, its prelude or aftermath, but a cinematic recreation intended to showcase the bravery of the Marathas included in this battle. So, there are cinematic liberties taken in this retelling, but the crux of the tale is preserved.

The tale about the Battle of Pavan Khind (before recognized as Ghod Khind) and the bravery displayed by Bajiprabhu Deshpande and the Bandal army of 600 from the Siddhi Masud and the troopers of the Adilshahi Sultanate is well recognized across Maharashtra. The final result – Chhatrapati Shivaji Maharaj’s prosperous escape from Panhalgad to Vishalgad. But, does Lanjekar do well in recreating this important chapter from Marathi historical past on display? Absolutely!

Pawankhind is a comprehensive cinematic working experience that is match for the large display. The movie is bold in seeking to discover this story in two and a fifty percent hrs, but it largely succeeds in building the right construct up and atmosphere that prospects to a superb climax. From laying out the explanation and the figures concerned in it, to the siege of Panhala by Siddhi Jauhar, the escape prepare and the actual fight, Pawankhind lays out all its playing cards in front you chronologically, whilst inducing a dose of history, drama and even comic relief in among. The movie doesn’t miss out on out on supplying due credit to the the vast majority of the generals who aided Shivaji Maharaj realise his desire of Swarajya.

As for the actors, it is not an straightforward job to bring some of the most very well –known names from the Marathi film and Tv sector jointly in a multi-starrer of this scale. But the casting section and makers pull off this feat. Chinmay Mandlekar as Shivaji Maharaj, Ajay Purkar as Bajiprabhu Deshpande, Sameer Dharmadhikari as Siddhi Jauhar, Aastad Kale as Siddhi Masud, Ankit Mohan as Rayaji Bandal, Mrinal Kulkarni as Maasaheb Jijau, Akshay Waghmare as Koyaji Bandal each actor has given his very best to their roles. Even the supporting forged has some unforgettable performances from Kshitee Jog as Badi Begum, Harish Dudhade as Bahirji Naik, Shivraj Waichal as Harpya, Rishi Saxena as Rustam Zaman. An additional noteworthy efficiency that stands out is that of Ajinkya Nanaware as Shiva Kashid, the male who resembled Shivaji Maharaj and sacrificed himself for his king. The scenes involving Ajinkya and Chinmay are certain to provide tears to your eyes.

When Pawankhind excels in storytelling, the technological areas, nevertheless fantastic, could have been better. The history score overpowers dialogues in some crucial scenes, and the action choreography in some scenes fails to make the lower. Nonetheless, all said and finished, the full team has completed its finest to make this a major display encounter. Probably with a even bigger budget, these issues can be ironed out in the adhering to movies of Lanjekar’s sequence.

For now, Pawankhind is a wonderful watch, and at the cinemas only.